![]() Because this concept seems so paradoxical and counterintuitive to me, I was keen on watching more interviews and reading more articles about Bresson. How amusing, to capitalize on the antithesis of expression to capture the senses. It is deeply interesting that Bresson aims to craft a cinema of ‘feeling’ while at the same time disregarding the Theatrical. The book was an empty vessel of sorts, all the while being filled to the brim. I felt welcome to pause in a lot of moments and simply ponder on the notes I find profound, jarring, or lovely. Without the crutch of explanation, I got to explore the book the way I wanted to. ![]() A big part of this fondness stems from the lack of a follow up. Notes on Cinematography was a surprising read in that I enjoyed this reading as much as I did. ![]() It’s a quest for perfection, this book-or at least, what Robert Bresson perceives as perfect. ![]()
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